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Showing posts from November, 2018
museum of modern art
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In Bruce nauman’s work ive noticed some of them have the same paranoia and “something is missing” sensation it gives out to the viewers. The theme that most spoke out to me is the “seeing and being seen” as described by the participatory structures 1970 While walking in circles or should i say in “squares” since it consists of four walls and televisions that let you see others behind you or see yourself if you do it correctly. Nauman’s method of artwork can be seen as straightforward but thats what makes it boggling, as seen in: Clown with video surveillance,1986 There are no doors in these toilet stalls so whats the point in the surveillance camera? Everything about this picture describes nauman’s theme it causes discomfort. The composition and canvas can be seen as uneven which adds into the whole distorted vibe. Notice the cut out next to the clown? Yes that really sets off this piece it is a real woman next to a cartoon drawn clown, we will
metropolitan
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Vincent van gogh,1889,Cypresses First of all the mood on cypresses is incredibly joyful despite van gogh was in a asylum while painting this. Everything is made up of swirls its like trying to hypnotize the viewer into heaven. Despite the vibrant colors lets not forget the giant dark tree leaning on the left it radiates with resilience and power. One thing ive noticed is the clouds are blowing against the tall tree, shows that a storm is approaching. Cypresses really does represents post-impressionism in every way to the unearthly sky and unnatural greens it all oozes with emotions. Medea about to kill her children,Eugene Delacroix 1838 This artwork shows women can have destructive power, the murder of own children with a knife. Romantics love moods that are horrific and idealized the past and this medea shows everything to intense emotion whilst the children struggling. The background surrounding medea and her children is a big contrast to the